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To tell a story of violence, you have to have an unusual sensitivity to not replicate that same violence, that same poison.
Prathyush
8
Embedding the movie in the context of Sanjay Leela Bhansali's art-artifice
Prathyush
10
Digging deeper, looking at how the film uses death, infidelity, and trauma.
Prathyush
35
8
The singer who began her career in 1942 passed away yesterday. How to produce a coherent, complex, and meaningful articulation of her legacy?
Prathyush
13
3
Hridayam, a Malayalam film, asks you to participate in its project of eliciting nostalgia, even if it does so with shameless, predictable genre…
Prathyush
4
3
Can we cringe from the very thing we crave?
Prathyush
11
8
Once the capital city of a thriving empire, this is how Hampi unfolded for me
Prathyush
5
7
The week before I watched Chloé Zhao’s Eternals and read Amitava Kumar's A Time Outside This Time and I have not felt more grateful and more afraid of…
Prathyush
6
Josy Joseph's book "The Silent Coup" destabilizes everything Sooryavanshi is trying to do and say
Prathyush
5
Scenes From A Marriage and Giovanni's Room paint desire as it is — frustrating, ambivalent, contradictory, necessary.
Prathyush
4
How should we think about the ongoing cultural tilt? With pride as the balance shifts East, or as Tagore would, with worry?
Prathyush
8
1
Observations from Ghachar Ghochar, translated from Kannada, and Name Place Animal Thing, set in Shillong
Prathyush
4
2
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